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In “sugar no sugar” marble and polystyrene cubes breaks into infinity transmuting into sugar-cubes. Each of these elements are different and familiar at the same time. They are all white and grey but in a different way and they have different consistencies while, in the other hand, sugar has a crystalline structure similar to marble. They can be visually confused. Touching and nominating the several elements you can divide them into ‘sugar’ and into ‘no sugar’. A writing, “…sugar sugar no sugar sugar …” on a wall recreates the same sculpture but in words. The whole sculpture crows and relates to itself from its micro-unity, “intelligent particles” or “little beings” as Fernando Melani would have called them as they also relate to each other always differently.
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The
animation "sugar no sugar metamorphosis" constitutes the continuos
flow of sculptural micro-actions in which the oscillating grains of salt
become dust and consequentially sugar cubes. The metamorphosis continues
with the sugar cubes becoming a small pile of paper transmuting back into
sugar cubes. It is not a formal variation (transformation), but the transmutation
of substance and matter which generates new forms. Substance is thought both as a physic and psychic micro-unit, as well as a creative principle: I referred here especially to Lucio Fontana's " Spatial Concept " or "Natures". |