sugar no sugar molecule,
2003
sugar cubes, polystyrene, marble
80x80x45cm

Reality seems to me to be hiding its possible temporal dynamics. The perception and conception of reality through time become fluid forms of thought in action. That is a problem of matter.
I am not interested in a representation of the world as it is but a new perspective from which to recreate it: a sugar cube, a grain of salt or a seed become the stimulus of creative reality. My work amplifies these incentives creating a relationship between the observed object and the touched object, the sensation and the "nomination", the concept and the substance, the portion and the whole. Every particle of space wants to exist into a kind of Zenoan concept of space and time which simultaneously extends, grows, contracts, transmute sand reproduces itself creating a metamorphic body: thus time is a question of creative process.

In “sugar no sugar” marble and polystyrene cubes breaks into infinity transmuting into sugar-cubes. Each of these elements are different and familiar at the same time. They are all white and grey but in a different way and they have different consistencies while, in the other hand, sugar has a crystalline structure similar to marble. They can be visually confused. Touching and nominating the several elements you can divide them into ‘sugar’ and into ‘no sugar’. A writing, “…sugar sugar no sugar sugar …” on a wall recreates the same sculpture but in words. The whole sculpture crows and relates to itself from its micro-unity, “intelligent particles” or “little beings” as Fernando Melani would have called them as they also relate to each other always differently.