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sugar
no sugar molecule,
2003
sugar cubes, polystyrene, marble
80x80x45cm
Reality
seems to me to be hiding its possible temporal dynamics. The perception
and conception of reality through time become fluid forms of thought in
action. That is a problem of matter.
I am not interested in a representation of the world as it is but a new
perspective from which to recreate it: a sugar cube, a grain of salt or
a seed become the stimulus of creative reality. My work amplifies these
incentives creating a relationship between the observed object and the
touched object, the sensation and the "nomination", the concept
and the substance, the portion and the whole. Every particle of space
wants to exist into a kind of Zenoan concept of space and time which simultaneously
extends, grows, contracts, transmute sand reproduces itself creating a
metamorphic body: thus time is a question of creative process.
In “sugar no sugar” marble and polystyrene cubes breaks into
infinity transmuting into sugar-cubes. Each of these elements are different
and familiar at the same time. They are all white and grey but in a different
way and they have different consistencies while, in the other hand, sugar
has a crystalline structure similar to marble. They can be visually confused.
Touching and nominating the several elements you can divide them into
‘sugar’ and into ‘no sugar’. A writing, “…sugar
sugar no sugar sugar …” on a wall recreates the same sculpture
but in words. The whole sculpture crows and relates to itself from its
micro-unity, “intelligent particles” or “little beings”
as Fernando Melani would have called them as they also relate to each
other always differently.
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